George Price's Blog

Hi, welcome to my Blog. I'll be posting my music news, personal views, some photos, whatever comes to mind. I also have music available for download at my media site, http://www.ourmedia.org/user/40460 I hope you enjoy, and feel welcome.

Thursday, December 17, 2009

I've Got Music Online!

Hi, welcome to my little corner. Many of you have told me you like my newsletters, so I gathered up the ones I could still find and posted them here, along with the new ones and some extra stuff I don't email out. There's a lot of older stuff here that scrolls off this main page, so don't forget to browse the archives on the right edge of this page.

This website (Blogspot) doesn't seem to store music, but that's OK. I've discovered a group called OurMedia.org that will host my songs, and even my videos, so I can offer them to you. Here's the link:
http://www.ourmedia.org/user/40460
Go there and you'll see some of the songs from the many performances I've recorded. I'm just getting started, so check back often. I've also given OurMedia and the Internet Archive blanket permission to serve all recordings of my shows, and blanket permission to anyone wishing to record, video or photograph my shows, until further notice.

Friday, May 23, 2008

Amazing Egg Creamer


Via BoingBoing.net - this incredible bit of engineering you just have to see for yourself, probably more than once. All this to smash those leftover Cadbury Cream Eggs you had laying around. Well worth it!

Thursday, May 22, 2008

New gigs, new name, a pretty good night

Many of you know that a few years ago Larry Griffith got inspired somehow to introduce me onstage as King George, and through repeated use that name has stuck. I wasn't crazy about it at first, after all King George was the main reason we Americans got fed up enough to have a revolution; he was insane with syphilis, and according to some accounts he wasn't even sure where America was on the globe and didn't really care as long as we paid our escalating taxes. But I digress. By now I rather enjoy the regal fun of it all, and Larry has just started billing the band that includes me (he has several lineups) as Larry Griffith and The King's Court. Thanks, Sir Larry, you may rise.

Wednesday nights continue to grow at Bella Bocca in Marietta. It's a sweet little venue, but hard to see from the street. Just go west from the Marietta square about 1.5 miles on Whitlock. When you see Burnt Hickory Road fork off to the right, you'll see the Clock Tower strip mall (no strippers there, for some reason) on the left. Turn in, and Bella Bocca is in the anchor position in the upper corner. We start there at 8PM.

One patron/fan, Matt Chaney (no relation to the Dick) turned out to be a pretty decent bedroom guitarist, but with no stage experience. We talked guitar for a while, and he emailed me his YouTube links of himself playing along with a few popular records. I told him it's easy to get on stage, just bring a guitar and we'll go to Nik's after work at Bella Bocca. This week he did, we did, and Aaron was nice enough to put us onstage together. Matt performed more than adequately, and I consider him ready to start working in bands. I'm just sorry his sweetie Jessica wasn't there quite soon enough to see it, but she did see the backslapping and feel the nearly-sexual buzz that a musician gets from a group performance he's really proud of. Next time we'll time it better, Matt.

Which brings me to this: Folks, if you want to perform onstage, it's not hard to get started. Talk to me, and I'll arrange it. I have years of jam experience, hosting and playing, and I can give you lots of tips, or even private lessons to prepare. One of the best uses of the jams are as a farm system, to bring in new talent and keep our beloved music nourished and refreshed (so we don't just become a world of non-playing non-singing rappers). When it's done right, it's the best drug there is, and with none of the terrible side effects of other addictions. In fact, it can be healthy for you, like sex, as it stimulates many of the same chemical systems and can be quite physical. So, let's play.

The last couple of Thursday nights I've been performing with Larry at Joel's Tavern, and this is a venue I like. Right at the east entrance to Life University (Hwy 41 & Barclay) they draw a young crowd that has really responded well to our blend of classic rock, Motown and classic R&B. They built us a nice new stage, and have capacity for a couple hundred happy people. Thanks to my old pal Heather from Darwin's for hooking us up. South of the 120 Loop about 0.7 miles, turn at the big yellow Waffle House. We start there at 9PM.

I've had some pretty good radio shows lately too - in recent shows I've had Radio Cult (a very fun show band), Barry Richman, Chris Duarte, Gwen Hughes, and more. You can download my shows free here at Radio Sandy Springs.

Sunday, May 18, 2008

Red Salt update

My friends at Little Alley have given me a time frame of 4 to 6 weeks until the opening of their second location, Red Salt, in old Roswell. The location is on the corner next to the old Peachtree Salvage, a few doors north of Pastis. Chef Robert tells me he'll be moving over, having thoroughly trained the Little Alley kitchen. I can't wait!

Wednesday, May 14, 2008

Darth Feels Blue


You will click this video! Use the mouse, Luke!

Saturday, May 10, 2008

Uh-oh, Troubling News in the Music Business

A couple quick items I found on tonight's edition of BoingBoing.net

House passes bill that will let the RIAA take away your home for downloading music
http://www.boingboing.net/2008/05/09/house-passes-bill-th.html

The poster notes:
This isn't a judgment on my part as to whether piracy is good or bad (I think copyright deserves to be protected through reasonable methods), but I am always horrified when civil enforcement morphs into criminal enforcement. Conservatives and liberals should be up in arms alike that local prosecutors and/or police could intervene as they desire in essentially a private affair arranged by the RIAA, and permanently seize thousands or tens of thousands of dollars in private property in addition to any civil penalties.
Oh goody. The RIAA greases the right palms in Washington, and they get to use our cops to bust in our doors. There's more good info at the link.

RIAA says DRM is coming back -- in the future, you won't own music
http://www.boingboing.net/2008/05/09/riaa-says-drm-is-com.html

Oh, this is nice. The music you "buy" will not actually be yours. There was a recent case with Microsoft that should tell you how this will turn out. Microsoft sold (or licensed, if you prefer - in any case they took money) music that carried a bit of code that checked with Microsoft to be sure it was legal before allowing the music to play. OK, whatever, people paid up and rocked out. Then the decision was made to close down that enterprise, and the server that granted the play permissions was turned off. Now, none of that paid-for music will play. (If you buy iTunes music, it's encrypted to only work on iPods, right? What happens when Apple stops making iPods? When yours dies, what happens to the music you paid for?)

As a non-lawyer, I look at stuff like this and think they can't possibly be serious, that no judge would go along with it, and surely no lawmaker would pass such a law. Are our "representatives" actually under the impression that they are creating good laws? Or am I simply not squinting just the right way to see how good this is?

On a different front, songwriters and composers are urged by ASCAP to sign this "Bill Of Rights":
http://www.ascap.com/rights/billText.aspx

But what will it really mean? I've seen too many examples of people being asked to sign on to something that has vast consequences that were never explained up front. Careful with that pen, Eugene!

One thing that even I can see in this "Bill of Rights" is some declarations of worthless rights, such as the "right to decline participation in business models that require us to relinquish all or part of our creative rights" (which artists already have, but like "right to work" it really means the right to not do business with the music business, which is to say, the right to starve) and "the right to advocate for strong laws" which of course all Americans have had for at least a couple centuries. But item 4 is the real meat of it, basically an authorization (or at least an endorsement) of aggressive legal action against "pirates" which, in America, where ASCAP has any jurisdiction, means downloaders. The real pirate operations are in the other countries like China where ASCAP is nothing but a distant noise. So, coupled with the new HR 4279 mentioned above, it looks like the music industry wants to grind non-buyers into the dust (in fact, music buyers won't even own what they buy), to the point of taking away their computers or even their houses, and they want the artists to say we think that's great. Well I do not. And if you look at the lessons learned when Metallica pissed off (or on) millions of fans over downloading, no sane artist would want anything to do with the image, however improbable, of storm troopers bashing in citizen's doors in search of that kid who's been downloading music. (By the way, rent the video "Some Kind of Monster" to see inside the Metallica organization, and watch Lars lament what a fool he was in this matter)

I, as a songwriter and improvisational performer, want my joyful noises heard and hopefully enjoyed by the largest number of people for the longest time possible. That's why I've granted The Internet Archive, and my listeners, blanket permission to record my shows and post them, exchange them, or wear them as a hat if they want, until further notice. With the stipulation that nobody gets the right to do so for money without my written permission (which I probably will grant for a written check).

It's been said that in recent decades the music industry "has consumed itself". So I wonder, when the last gullible musician has been ripped off by sleazy contracts, and the last shred of creativity has been starved out for not being "commercial", what will we have in the future instead of music? Who will play the music at music's funeral? Fortunately, we won't have to face a world without song because the RIAA's devil is our savior; the Internet will be where new art is found and purchased. Or, not purchased. Help yourself to LOTS of free legitimate media here.

I may be mistaken about parts of this. Oh Lordy, I sure hope I am. If so, please tell me.

UPDATE: It pays to watch your web tracker. I use StatCounter (an excellent freebie) and it spotted a reader in California who had just come from a website called OpenCongress, which looks really impressive! Check out what they show for HR 4278 as discussed above.

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Tuesday, May 06, 2008

Pleasant Surprise Videos!

Looking over my web stats tonight, I see that I had a visitor come here after looking at a video on YouTube. Oh really? So I checked it out, and was very pleased to see that Ellen Hamby (a diligent fan of the Atlanta music scene who shoots and posts lots of performance videos) had actually captured a three-song performance I did at the final Darwin's Wednesday Jam. Joined by Terry Bradley, Jon Schwenke and John McKnight, we did a short but (I believe) scorching set, which I thought was lost forever, but Ellen's Eyes see all! Ellen, you rock!

This one is my favorite:
http://www.youtube.com/watch?v=uSP-VjlNiAA

(Ellen has over 550 videos posted on YouTube so far, covering several years of Atlanta's blues scene, and several other musicians she just likes. She drives a lot and spends a lot to come out and support live music; she's just the kind of fan that musicians hope to have someday. Those who know of her various acts of kindness think very highly of her. And if you call her "Hotlips Hamby" at just the right moment, you can make Bailey's squirt out of her nose.)